Do well, the soul of Italian style that no crisis can steal from us
Of Claudio Risé
Source: Claudio Risé
The search for the good and the beautiful has always been the vocation of our country.
And it generates a unique creativity that makes Franco-German Europe tremble. Also
because it creates a model contrary to globalized production.
The Italy that does and does well is back in great shape, who invents, conquest
markets and friendliness with his intuitions and his free creativity. A
vocation already very strong in Etruscan and Roman times, and what it became
irresistible since the Renaissance, when he inspired an entire philosophy throughout Europe
and way of life. Leonardo da Vinci, the convinced Renaissance artist-scientist
That “Selvadego is the one who saves himself” (to whom this column is dedicated), he was first and foremost a formidable craftsman, and he is one of the major theoretical and practical inspirers of this success story.
It was the silver lyre in the shape of a horse skull designed by Leonardo himself, executed and delivered to Ludovico il Moro as a gift from Lorenzo the Magnificent to win the admiration of the lord of Milan and in
followed by other Italian and European courts. Today, however, Italian creativity worries Europe, or rather its bureaucracy, fearful that the more expansive economic policy adopted by Italy will strengthen its position as a major player
exporter of manufactured goods and food and agricultural products, already very strong on international markets.
And it generates a unique creativity that makes Franco-German Europe tremble. Also
because it creates a model contrary to globalized production.
The Italy that does and does well is back in great shape, who invents, conquest
markets and friendliness with his intuitions and his free creativity. A
vocation already very strong in Etruscan and Roman times, and what it became
irresistible since the Renaissance, when he inspired an entire philosophy throughout Europe
and way of life. Leonardo da Vinci, the convinced Renaissance artist-scientist
That “Selvadego is the one who saves himself” (to whom this column is dedicated), he was first and foremost a formidable craftsman, and he is one of the major theoretical and practical inspirers of this success story.
It was the silver lyre in the shape of a horse skull designed by Leonardo himself, executed and delivered to Ludovico il Moro as a gift from Lorenzo the Magnificent to win the admiration of the lord of Milan and in
followed by other Italian and European courts. Today, however, Italian creativity worries Europe, or rather its bureaucracy, fearful that the more expansive economic policy adopted by Italy will strengthen its position as a major player
exporter of manufactured goods and food and agricultural products, already very strong on international markets.
