Ramy is Adam, Greta, Nora, the ten year old girl used as a testimonial against the Pillon law, Marius, the child protagonist of the film C'è tempo by Walter Veltroni (who had already made a children's film called Children Know); and The Children's Paranza, the film-book of
Roberto Saviano, but above all the children exhibited in congresses, in the street demonstrations of the Democratic Party, used in schools or programs
Fazio for anti-mafia campaigns, anti-racism marches, anti-homophobia, anti-pollution, better if black, rom, migrants or disabled people. The utopia of a better world has ended up in the hands of children.
If they want to land immigrants or support the ius soli, show pictures of a child, they tell a heartbreaking story, like that of the drowned child with his report card sewn to his chest; they try to pass the landings and migratory flows through merciful chance, the poignant story, the tenderness to which it is beastly to say no. Children shield themselves, they use them as Trojan horses.
The Italian left he will be an abortionist, not very inclined towards the natural family and motherhood, will lean towards homosexual couples, winking at rented wombs, but for some time now it has devoted itself to childcare and the use of children as testimonials of its battles or those it wants to exploit. In that way he wants to confirm his superiority on a moral level, civil and sentimental and his special sensitivity towards the future and the generations to come. They want to mortgage the future, monopolizing
“childishly correct” thinking of children, considered naturally left-wing. A political form of pedophilia, in an etymological sense, of course.
Right, the use of children is part of the political repertoire not today, so as not to go back to ancient times, just think of the twentieth century: the use that American presidents have made of it, i papi, the red and black sovereigns and totalitarian regimes, it was massive and never random. Showing the caress of a leader to a child, photograph a family picture, having a childish image or a private scene stolen with apparent casualness, it has long been part of political jargon and its communication strategies. Also
Sandro Pertini, who also had no children or grandchildren, he wanted to appear like a grandfather who loved children. Even Sergio Mattarella, as soon as he can, pertains. Associating your image with children makes you more affable and reliable.
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