Reporting of Gender Observatory
Of Rodolfo de Mattei
From riches to rags for an "inappropriate" "homophobic" joke? This seems to be the surreal parable of Pierfrancesco Favino, revelation (as the showman) and authentic showman of the 68° edition dhe Sanremo Festival, which risks seeing its own in vain, end which, highly applauded conduct of the singing event due to a funny gag in which, as Steve Jobs, he dared to joke about a "sacred monster" of the LGBT pantheon such as Conchita Wurst.
In fact, it was the sketch that sparked the ire of the homosexual community, staged together with the shoulder Rolando Ravello, in which Favino / Jobs, presenting a new technological product, BaglionONE, showed a photo of the drag queen bearded Tom Neuwirth, in art Conchita Wurst, winner ofEurovision Song Contest 2014, commenting like this:
“Many complain about the Sanremo Festival, but I have to say that since I went to Eurovision I discovered that it could be worse“.
THE REACTIONS
Open up heaven. The LGBT censors immediately turned against the host on the web, covering him with tweets and messages of disapproval for having dared to be ironic about an "untouchable" character like the bearded Austrian transgender, icon of the acceptance and normalization of any sexual deviance. A symbol of today's "gender revolution" who had even been a guest at the Ariston, in Sanremo 2015, under management, evidently more "politically correct", Of Carlo Conti.
“What problems do the authors have with Conchita? Provincials“, “But who wrote the joke about Conchita Wurst to Favino? Adinolfi or Gasparri?” , “In Italy, with sausage, we always end up having to apologize“, “From a smart person like @pfavino you would expect something better than a joke about Conchita“. Here are some of the many tweets that circulated online immediately after the "crime".
#Favino accused of "homophobia", victim of reality and the #GenderDiktat #observatoriogender @pfavino @SanremoRai
Among these also the former president Arcigay Aurelio Mancuso who thus chirped: “So the good thing, big man #Favino, intimidated by who knows what intimate tremors, wanted to lend himself to the #homophobic scene. The worst things always come from these leftist pseudo artists...”
Mancuso he then wanted to make matters worse in an article published on HuffPost in which he lashed out at a certain woman intellectual pseudo-left “unbeatable on homotransphobia“, writing:
“Many netizens talk about bad jokes, or that maybe he slipped away then and there, let's say a slip. Nothing could be more misleading. The text was carefully prepared, Favino followed him carefully, with the script in his hands. A deliberate operation, designed and presented to the public. So, beyond the moral and material responsibility of the good Roman, who did his part to underline the contempt towards an international event in which the winner of Sanremo rightfully participates, we must ask Claudio Baglioni to account, that of the singing competition and the "artistic dictator", how he loves to incense himself for days".
TWICE VICTIM
The good Roman actor and presenter is victim twice. At first , as "attacked by reality", than in a spontaneous and natural leap of common sense, in front of an unlikely singing bearded woman, made him "run away", in spite of himself, an “unpronounceable” politically incorrect joke; the second, is the victim of today's "gender diktat" which, implacable, without looking anyone in the face, it bites its more or less naive prey.
What will happen now? How to get out of the unpleasant impasse Favino? The script, in these cases, provides for the immediate public apology of the offender, accompanied by declarations of full support and solidarity for the cause LGBT+; only in this way will the Roman actor be able to shake off the accusation of being part of a certain "homotransphobic intellectual pseudo-left" and try to mend the relationship, to date, compromise with the homosexual community.

