Of Diego Fusaro

Source: The newspaper
Diego Fusaro, 35 years, professor at the Institute for Advanced Strategic and Political Studies (IASSP), he is a philosopher who has made thinking otherwise and obstinately against the foundation of his reflection, however, managing to undermine the rubber wall of prevailing single thought and political correctness.
The reason is there, explains to us. The media system takes the form of glamorous totalitarianism, typical trait of consumer society, and must therefore appear hospitable to be more convincing and, consequentially, tends to welcome everyone. It's always worked like this.
At the beginning of his career, or even recently, she experienced Off moments?
Non-dominant ideas, those of the non-dominant class, so to speak, have always been ostracized, but at least defamed or considered false as such. So I live and have continuously experienced Off moments.
Canon, form and "craft" are often opposed in every artistic field. Today everything is performance, solipsistic provocation, deconstruction in jet-set culture. The ancient aesthetic models of peoples, inspired by the sacred and capable of triggering empathy with the public are regarded with snobbery. In your opinion it would be appropriate and, in any case, It is possible to recover an aesthetic dimension devoted to Beauty?
Absolutely yes. Today the dominant culture, if we can talk about culture, it is essentially based on the destruction of every aesthetic canon based on limits, on the measurement, on proportion. The art of a Phidias, for example, today it would not be considered art. Today the so-called "artist's shit" is winning, everything that profanes and violates every inviolable, that is, everything that supports the limitlessness and disharmony of our era.
Diego Fusaro, Ales, il GiornaleOFFsandro Sansoni, interviewTo what extent is the decomposition of traditional values ​​and the rhetoric of civil rights functional to the logic of turbo-capitalism?
Contemporary turbo-capitalism is based on the demolition of social rights, which are rights of free and equal community man, son of a community and bearer of equal rights and equal duties (“inserted into a people”, Hegel would say) and conversely promotes in a compensatory manner, you want destructive, civil rights that minimally undermine the logic of economic fanaticism, and constitute, on the contrary, the rights of the globalized individual and consumer, post-community, who considers individual rights to be property at his disposal. They are the rights of globalized homo consumens.
We can emerge from globalization and the standardization of customs by recovering the diversity and identity of peoples?
We de-globalize in various ways that must be put together: on a cultural level, certainly enhancing the kaleidoscope of plural cultures and above all enhancing one's own, naturally. And then fighting against the system of economic globalism which proposes the deregulated free market as the only model, that is, free cannibalism for the benefit of the financial elites, based on borderless competitiveness, founded on the dynamics of unlimited growth. We need to get out of this model and start again from the Greek ethics of the right limit, of community life, of what Aristotle calls koinonia, the community as a shared space between men.
Heidegger, Nietzsche or Del Noce?
I would say none of the three, or I would say all three combined, in the sense that none of them are my privileged models. I would say that from Heidegger we learn the idea that Being has forgotten and forgotten itself in the era of the unlimited Will to Power, in which there is no longer Being, but the Entity available for unlimited growth. From Nietzsche we receive first of all the idea that God is dead in this era in which only the planetarized market has value and men have stopped believing in anything and every value has plummeted. And finally from Del Noce we learn the sadly known fact that communist parties have transformed into radical mass parties aimed at defending the civil rights of individualized consumer man.
the care of Alessandro Sansoni